Main Stage Deco 2019: Flower-powered recyclart and organzatic design

“I have a vision, that these things are the true rituals of our age… I know how much good energy and creative force is put into it, but it feels a thousands times more when it manifests, no longer as everything that the inventors have made it, but also everything that it merges with, and therefore becomes what it is.”  – Angéla Thiesz

If you watched the latest festival aftermovie this past weekend, you probably heard Angéla Thiesz, Ozorian matriarch and art director, founder of Retextil Foundation, talking a bit about the concept behind the Main’s 2019 dancefloor cover design.

A fusion of artistic traditions, functionality and ecological sensibility, her designs, which she has been creating with her team since 2016, are based on art therapeutic methods and a textile recycling technology that Angéla developed herself.

2016 Axis Mundi

2017 Cosmicoral Flowering

 

 

 

 

 

 

 

Metaphorically, she explains, the method that she creates with, teaches and displays, is “about connections and the quality of connections”.

Last year’s installation brigade consisted of about 30 volunteers, including Angéla’s sons, especially Timót Zakariás Peták, who made sure the intricate design came to life according to plan. The team lived and worked down on site from June 15, and transformed 30 sq meters of colorful organza left from the previous year’s deco into a mesmerizing creature again. For some a fantastical, shooting star-fish, for others a bursting comet-flower from above, it was a stage worthy of its rainbow-shimmery predecessors both day and night.

Why organza? Firstly, because 1 sq meter of organza weighs only about 2.5 grams. In other words, she says, she alone could bear the weight of the whole main stage, even though they do need a huge truck to transport it home due to its volume.

The main folk art motif, the hexagonal African flower, which the hippies had popularized in the 70s, Angéla chose as a nod to the flower children and the artistic and cultural impact they made, for the 50th anniversary of Woodstock ’69 that we also celebrated last summer.

521 crochet flowers were woven together to form the ‘spine’ of the cover decoration.

Retextil Foundation and the Main Stage deco crew thanks the designers, creators, installation brigade, photographers (Magu Sumita, László Kun, Zsófi Böhm, Pawel Wieloch, Max Ambio, Péter Szőke, Gergő Somogyi, Tavata Figueroa, Mika Gurovich, Éva Gózon) and the work of everyone else who contributed in any way. Check out the album Retextil shared on their FB page, as well as the pictures available on the festival’s official FB page.

You can read about the 2016 Main Stage Deco, the first by Angéla Thiesz and her crew, and also watch the making-of video in this article:

Our axis mundi – the O.Z.O.R.A. 2016 Main Stage Deco

 

Installation Art: Longstanding Landmarks Along Our Ozorian Journey

Besides visual arts and murals, the Ozorian art scene is a dynamic blend of predesigned installations and spontaneous, on-the-spot creations. Each year, the festival showcases works from both invited artists and those who apply through the Art Open Call. Some installations are meticulously planned, while others emerge organically—like the fusion of two separate, well-thought-out projects: […]

OZORA 2025 News – Compass Workshop Area Expansion: A New Era of Creativity and Craft

The art of creation is ever-growing, and as more people gather around workshops year after year, the demand for space to explore, tinker, paint, and deepen artistic pursuits grows as well. In response to this, we are excited to announce the expansion of our workshop areas at the festival, offering even more space to create […]

Art in Flux: Tradition, Technology and the Future of Ozorian Creatitvity – A Conversation with Neko

From immersive live paintings to eco-conscious installations, the Ozorian art scene is a dynamic fusion of creativity and vision. The Prophet sat down with OZORA’s art department head, NEKO, for a talk about the festival’s artistic backbone—the balance between handmade and digital works, the rise of AI in art, and the interplay of light and […]

Introducing the READER’S COLUMN in the Ozorian Prophet

The Ozorian Prophet is your space—universally owned, independent, and free, a platform that thrives on the thoughts, art, and wisdom of our global family. Our new Reader’s Column invites each of you to join us in creating a vibrant tapestry of voices, stories, and perspectives. We welcome a wide range of contributions, including personal insights, […]

Newest Ozorian Art Installation – INFINITY SHROOM by Wood Vibe Tribe

If you’ve been on the Ozorian art plain, you have surely stumbled upon, and maybe even crawled into the intricate wood wonder of the Cat Chapel by the Wood Vibe Tribe. In 2023 they returned all the way from Canada and left us another breathtaking landmark, the Infinity Shroom… Written by Orsolya Bajusz The Infinity […]

Making Sense of Visionary Art – OZORA ’23

ORSOLYA BAJUSZ works at the boundaries of contemporary art, exploring the intersection of science communication and contemporary art. At Ozora, she is… making sense of visionary art. Relating to art can happen on a level of personal, subjective experience (makes me feel something, and reminds me of something). Such experiences might have a commonality, for […]

Bringing to life the Opening Ceremony

One of the most iconic Ozorian traditions is undoubtedly the Opening Ceremony. If you have already experienced it, you know there are no words to describe it, and if you haven’t, we can only hope you are there for the 2023 Opening. It will be like no other, that’s a promise. But before we get […]

OZORIAN ART – an OZORA 2022 art review

Translation of Hungarian “Ozorai művészet” by Orsolya Bajusz from artportal.hu  Perhaps the sort of art that comes to be canonized is one that can be written about. Deconstructed. Conceptually, rationally interpreted. Didactic, clever art you can argue about. The consequence of this, however, is that (based on my observations) people pay more attention to objects […]